Fade Out / Core-CenteredFrédéric Cordier

Inspired by Fade Out, these pieces are a more concise incarnation, refined into a more intimate form.
- Width (vertical variation)
- 1,20 M / 3,95 FT
- Width (horizontal variation)
- 2,19 M / 7,17 FT
- Height (vertical variation)
- 2,09 M / 6,84 FT
- Height (horizontal variation)
- 1,20 M / 3,95 FT
- Depth
- 0,24 M / 0,80 FT
- Woods
- White oak, ebonized oak, walnut
- Capacity
- 55 Bottles
- Edition
- 10 + 1 artist’s proof (A.P.) / Wood Essence Combinations






Frédéric Cordier is a Swiss-Canadian artist born in Montreal in 1985. His work revolves around the notion of systems, to which he associates the idea of dysfunctionality. His formal research explores the elementary components of a visual language rooted in rhythm, contrast, and repetition — playing with the balance between full and void, black and white. Through large-scale prints, sculpture, and architectural installation, Cordier develops a distinctive graphic vocabulary marked by precision and tension.
His recent solo exhibitions include Mécanique du paysage (2026, Musée Jenisch Vevey), Drill Baby! (2026, URDLA Lyon), and Night Views (2023, Montreal). In 2023, he published a major monograph covering his work from 2010 to 2022. His work has also been featured in group exhibitions such as Hantologie / Anthologie #2 (2024, Saint-Étienne, France), Swiss Art Awards 2019 (Messe Basel, Hall 3, Basel), Rien que pour vos yeux #2 – Les plus belles estampes des collections (2019, Musée Jenisch, Vevey), Vendu–Sold (2019, Montreal Museum of Fine Arts, Pavillon Jean-Noël Desmarais), and Art Toronto (2019, Galerie Laroche/Joncas, Toronto). His work is held in several public and private collections in Switzerland, France, and Canada.
The world ofFrédéric Cordier
From these full and empty spaces results in a complex and light binary frame.
Modal d'images

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